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During my time at MISHA, I planned and executed large-scale campaign and e-commerce photoshoots, collaborating with renowned photographers such as Rob Tennent and Georges Antoni. These projects involved end-to-end production management  from creative direction and casting to on-set coordination, ensuring all visual assets aligned seamlessly with the brand’s evolving identity and international strategy.


To mark the opening of MISHA’s flagship Emporium store, we produced an intimate evening of music, martinis, culinary highlights, and new-season pieces — attended by VIP guests and brand advocates including Inka Williams, Marina Didovich, Jamie Nguyen, Maxine Wylde, Roberta Pecoraro, and Izi Simundic. The event captured the essence of MISHA’s brand identity and deepened its connection with both media and customers.


Designed in collaboration with Milan’s acclaimed WANT Studio, the MISHA flagship boutique is a bold yet intimate reflection of the brand’s transcultural vision of empowered femininity. Every element was conceived to evoke emotion - creating a space that invites curiosity, introspection, and transformation.


Graphic Design & Digital Assets
Leveraging my graphic design experience, I curated and designed digital assets across blogs, EDMs, homepages, and digital advertising channels. I ensured all creative outputs were visually consistent, on-brand, and reflective of key brand values — while strategically optimising each asset to drive engagement, conversions, and overall campaign KPIs




Alexander Wang
Publication 2020
My publication, about the designer and entrepreneur Alexander Wang, is a montage of his journey as a designer from the very beginning of his career to some of Wang’s finest moments in 2020. In one of his most recent and iconic fashion shows, where he redesigned the ‘alexander wang’ logo, Wang showcased a range of Chinese and American inspired pieces as ‘a love letter to America’.


Italiano Collection
Photography, Documentation 2021
This project showcases an array of different doilies and tablecloths that have been designed and handmade by my Nonna, Olivia Crivelli. The intention of this publication is to change her perspective and present ‘her work’ so she can look back at what she’s made and be proud of her success. 


Melbourne Cinémathèque
Identity, Print, Motion 2021
Proposed identity for season 2022 of Melbourne Cinémathèque, a not-for-profit organisation that presents independant and alternative films. This concept aims to bridge the gap between vintage and modern film through opposing type and organic gradients. Applications included a A1/DL program and digital displays.

Vanessa Crivelli
 vanessacriv9876@gmail.com 
+61 413 213 913

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